Tag: TIFF 2012

Dormant Beauty | Review

Sleepytime Drama: Bellocchio Messy Message Movie After yet another career peak with his 2009 film Vincere, Italian auteur Marco Bellocchio continues his examination of Italian...

Here Comes the Devil | Review

Lock Your Souls Up: Bogliano’s Latest a Decent But Frayed Exercise Adrian Garcia Bogliano’s tenth feature film, Here Comes the Devil finally shows the Argentinean...

Twice Born | Review

Emulating Almodóvar: Castellitto Employs Cruz To Pull Heartstrings The renowned Italian actor turned middling director Sergio Castellitto returns to his place on both sides of...

Hellbenders | Review

Hath No Fury: Petty’s Latest a 3D Misfire Serving as a glaringly obvious example of the degradation of the horror genre via raunchy slapstick is...

Out in the Dark | Review

Nobody Knows: Mayer’s Debut Explores Personal is Political with Tragic Gay Love Story For his screen debut, Israeli born director Michael Mayer’s Out in the...

Zaytoun | Review

Pitted Olive: Riklis’ Period Piece Adventure a Sappy Fantasy Israeli director Eran Riklis returns to familiar territory with Zaytoun, using another unlikely friendship scenario between...

Jayne Mansfield’s Car | Review

Brains of a Blonde: Thornton’s Unnecessary Return to the Director’s Chair After his astonishingly strong 1996 directorial debut, Sling Blade, you’d be hard pressed to...

Passion | Review

Passion Fruit: De Palma’s Return to Genre a Flimsy Revamp Arguably one of the greatest American directors from the mid 70s to late 80s, Brian...

Wasteland | Review

Waste of Time: Glossy Heist Fantasy a Missed Hit for Athale’s Debut Producer Rowan Athale’s directorial debut, Wasteland, which he also penned, gets out of...

Iceberg Slim: Portrait of a Pimp | Review

Bad Influence: Godfather Of Modern Hustle Still Leaving Back Handed Impressions Leaving a legacy of pimp ideology behind, the legendary pimp and author Iceberg Slim...

Far Out Isn’t Far Enough: The Tomi Ungerer Story | Review

Not Just For Children: Berstein Elegantly Draws An Illustration Legend Documentaries on the eccentric or tortured artist are a dime a dozen, but it seems...

Frances Ha | Review

Baumbach Stops Wallowing In Cynicism To Lens His Best Yet Noah Baumbach has built an oeuvre on characters frozen in time, refusing to let go...

The Company You Keep | Review

Return for Redford as Actor/Director in Heated Political Thriller Robert Redford, the actor, has been a staple of American pop culture for half a century,...

Hyde Park on Hudson | Review

Michell Manages FDR's Affairs, Charmingly Roger Michell's ravishing Hyde Park on Hudson gives us a glimpse into the private life of one of our most...

Love, Marilyn | Review

Intimate Side of an Iconic Life: Garbus Digs Through Monroe's Personal Writings Liz Garbus is well aware that the life and times of Marilyn Monroe...

The Central Park Five | Review

Burns Dissects Why Pride & Prejudice Put Innocent Youths Behind Bars After years of acclaimed documentary mini-series, Ken Burns returns to the feature film with...

Mea Maxima Culpa: Silence in the House of God | Review

Gibney Exposes Suppression Of Truth Behind Ministerial Molestation After taking a breather from feature hardline journalism with a series of lighter docs in Catching Hell,...

A Liar’s Autobiography | Review

A Gay Old Time: Documentary/Animation Hybrid a Loving, Original Tribute Co-directors Bill Jones, Jeff Simpson, and Ben Timlett (two of which were involved with a...

The Bay | Review

Bay Day: Levinson Mines Horror Genre to Surprising Effect In what may be one of the year’s most curious entries in the horror genre, The...

My Worst Nightmare | Review

A charming, Gallic comedy featuring one of France’s greatest actresses. Anne Fontaine’s latest confection, My Worst Nightmare, is a delightful vehicle for the awesome talent...

Seven Psychopaths | Review

Usual Suspects: McDonagh Gives Us a Light Killer Comedy With Latest Written before his hit film In Bruges (2008), Martin McDonagh has landed with another...

Janeane from Des Moines | Review

Looking the Part: Faux Docu Addresses Tea Party Politics with Everyday Issues When it comes to the world of U.S politics, more specifically Republican Party...

To the Wonder | TIFF 2012 Review

Wonder Dunder: Malick’s Visual Poem Prayer a Taxing Free Verse If you’ve happened to read anything about Terrence Malick’s latest film, To the Wonder, chances...

Thy Womb | TIFF 2012 Review

Womb Doom: Mendoza Gives Us Another Poverty Stricken Filipino Narrative Quickly assuming the stature of one of the most important directors from the Philippines, Brillante Mendoza...

God Loves Caviar | TIFF 2012 Review

And Hates the Proletariat: Greek Costume Drama Stinks to High Heaven Greek director Yannis Smaragdis began his career in the mid 1970’s as a writer/director,...

The Fifth Season | TIFF 2012 Review

If Spring Never Comes: Woodworth and Brosens Expertly Conclude Their Trilogy Directors Jessica Woodworth and Peter Brosens didn't set out to conclude their trilogy of...

Everybody Has a Plan | TIFF 2012 Review

Best Laid Plans: Piterbarg Gets Double the Mortensen in Debut Argentinean director Ana Piterbarg nabs Viggo Mortensen for dual roles in her debut, a slow...

Byzantium | TIFF 2012 Review

My Favorite Sister Daughter: Jordan Hits Up the Lady Vamps Boy it’s hard to add anything new to the vampire genre, once a horror staple...