2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

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From Belgium, Lukas Dhont makes his third trip to the Croisette. 2018’s Girl premiered in Un Certain Regard section and won just about everything from the Caméra d’Or, Queer Palm and Best Performance (Victor Polster) in Un Certain Regard. Close won the second biggest prize in the competition section in 2022. Usually working with themes of masculinity, vulnerability and emotional repression, with identity, bodily experience and social pressures and standards, with Coward, his first period film. Set in 1916, during World War I, Pierre serves at the Belgian front alongside other comrades. Behind the trenches, the soldiers try to keep their spirits up. One day, Pierre meets the flamboyant Francis. To counter the rhetoric of war and the omnipresent misery, the two men decide, with their comrades, to put on a theatrical revue. Emmanuel Macchia and Valentin Campagne topline. This is competition film #20 of 22.

In 2022, Close was our Cannes Critics’ Panel top rated film with an average score of 3.5. We are still early with the grades from today’s late night world premiere but surprise surprise Coward is currently tied with Fatherland and Fjord with an average score of 3.7.

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Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

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