Be All You Can Be: Samuel Maoz’s Closing Out Trilogy with “It’s Good to Die For Your Country”

Date:

We’re getting close to that eight-year mark between features and we’ve just learned that Samuel Maoz is set to close out the trilogy and take another critical jab at the Israeli military-industrial complex with It’s Good to Die For Your Country — a film that will follow 2009’s Lebanon and 2017’s Foxtrot. Variety reports that producer Eitan Mansuri lassoed The Match Factory and Sophie Dulac to help back the project. It sounds like they are still in finding funds mode so the absolute earliest might be a Venice premiere in ’24 (the lieu where the filmmaker won the Golden Lion and Silver Lion).

It’s Good to Die For Your Country revolves around two childhood friends in their late 50’s and 60’s who grew up believing that (serving in the army) was a good thing. Essentially this continues in the larger theme of the implication of war on families.

Our Tommaso Tocci reviewed Maoz’s sophomore film out of Venice – “Foxtrot opens on a classic setup: army representatives at the doorstep, a bell ringing, and a mother instantly and painfully realizing what news they bring. Except the tone and pacing of the whole thing feel different, simultaneously colder, heightened and more acutely performative.”

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

Being Maria | Review

Forever Noor: Palud’s Schneider Moves From Being a Passenger...

The Assessment | Review

The Parent Trap: Elizabeth Olsen Tries Not to Break...

Honey Bunch | 2025 Berlin Intl. Film Festival Review

Love Like This Before: Sims-Fewer & Mancinelli Examine the...

Interview: Philippe Lesage – Comme le feu (Who By Fire)

The adults in the room may be battling for...