Miao Now: Long Day’s Journey Into Night’s Bi Gan Set to Shoot in 2022

Date:

As of late Chinese filmmaker Bi Gan has been keeping busy with one finger on the shutter button, and one eye in the viewfinder. We are just learning that he just completed a short film titled Le cœur du soleil brisé (translates into The Broken Heart of the Sun) and that he is poised to return behind the camera for his third feature film — and as early as 2022. Announced back in April as part of prod company Huace Pictures’ future slate, Gan’s untitled third film is still without a title, synopsis and cast but if we were the betting type we’d wager that we’ll be returning to some pocket of Guizhou and there’ll likely be some name players involved — especially after wowing Un Certain Regard auds with his Long Day’s Journey Into Night (the unique viewing experience came with instructions to put on 3D glasses for a remarkable one hour long take). If Gan begins shooting in Spring/Summer of 2022 this will try to secure a 2023 Palme d’Or comp slot.

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

2025 Cannes Film Festival Predictions – Critics’ Week

Located at the opposite end of the Croisette, the...

Swapping Bodies: Arthur Harari Begins Production on ‘L’Inconnue’ with Léa Seydoux

As speculation grows wild into what films will populate...

2025 Le Groupe Ouest – The Annual Selections include Céline Rouzet & Yaonan Liu

Not unlike the Sundance labs or Cannes residencies, Le...

Being Maria | Review

Forever Noor: Palud’s Schneider Moves From Being a Passenger...