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Oscars 2010 – Writing (Original Screenplay): Smells like Victory for The Hurt Locker

When I look at this category I think to myself – weren’t War-themed pictures of the military supposed to be box office poison. Matter of the fact is neither The Hurt Locker or The Messenger will rack up the dough, but it shot down the theory that you can’t make a such a pic in such times. I thought Basterds was a more lavish screenplay – and that the dialogue would win out on technical details in Boal’s screenplay.

The Noms:

“The Hurt Locker” Written by Mark Boal
“Inglourious Basterds” Written by Quentin Tarantino
“The Messenger” Written by Alessandro Camon & Oren Moverman
“A Serious Man” Written by Joel Coen & Ethan Coen
“Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Who Will Win: Inglourious Basterds
Who Should Win: A Serious Man
Who Won: The Hurt Locker
Commentary: When I look at this category I think to myself – weren’t War-themed pictures of the military supposed to be box office poison. Mtter of the fact is neither The Hurt Locker or The Messenger will rack up the dough, but it shot down the theory that you can’t make a such a pic in such times. I thought Basterds was a more lavish screenplay – and that the dialogue would win out on technical details in Boal’s screenplay. Good for Boal and does this mean the Best Picture award is a lock?

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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