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Review: Hors Satan

“Alarmingly programmed in the Un Certain Regard section, Hors Satan represents a relapse of sorts to his earlier style; comparably accomplished, yet even more tediously austere. Anyone expecting an active, engaged viewing experience – as employed in Hadewijch – will curse every one of its 110 minutes.”

Hors Satan


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“Alarmingly programmed in the Un Certain Regard section, Hors Satan represents a relapse of sorts to his earlier style; comparably accomplished, yet even more tediously austere. Anyone expecting an active, engaged viewing experience – as employed in Hadewijch – will curse every one of its 110 minutes.”

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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