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Review: La Fée (The Fairy)

Given the repetition of their three features, and the recurring criticism that individual bits work better than any coherent whole does, there would be little protest if Abel, Gordon, and Romy switched to exclusively dabble in the short film format. There isn’t the same kind of spotlight as there is on features, but then I’m not sure these guys need one shone on them anyway.
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La Fée (The Fairy)


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Given the repetition of their three features, and the recurring criticism that individual bits work better than any coherent whole does, there would be little protest if Abel, Gordon, and Romy switched to exclusively dabble in the short film format. There isn’t the same kind of spotlight as there is on features, but then I’m not sure these guys need one shone on them anyway.

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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