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Review: Porfirio

Layered and haunting, Landes’ first non-documentary feature shows tons of promise. It surfaces at a time when fiction/documentary hybrids are making a lot of noise on the festival circuits (they seem especially popular in South America, such as Alamar and Paraguayan Hammock, to name a couple). Porifiro isn’t necessarily a giant leap forward in the format, but it is a solid entry, and will be frequently revisited if/when Landes’ next few films gain him some notoriety.

Porfirio


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Layered and haunting, Landes’ first non-documentary feature shows tons of promise. It surfaces at a time when fiction/documentary hybrids are making a lot of noise on the festival circuits (they seem especially popular in South America, such as Alamar and Paraguayan Hammock, to name a couple). Porifiro isn’t necessarily a giant leap forward in the format, but it is a solid entry, and will be frequently revisited if/when Landes’ next few films gain him some notoriety.

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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