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Review: The Ides of March

“A thriller of this sort probably didn’t need to escalate to the level of melodrama that it progressively marches toward, but some of the bizarre kinks in the final reel do elicit a genuine “oh snap” or two.”

The Ides of March


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“A thriller of this sort probably didn’t need to escalate to the level of melodrama that it progressively marches toward, but some of the bizarre kinks in the final reel do elicit a genuine “oh snap” or two.”

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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