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TIFF 2009 Day 3: Paul King’s Bunny & the Bull

I liken Bunny & The Bull to a child’s fantasy film, but this is clearly intended for adults with an appreciation for a very specific type of humor (fans of his Mighty Boosh show would know what this is).

Having stuck it out until the end, I understand why there were a number of walk-outs during the P&I screening of Paul King’s debut film. I liken Bunny & The Bull to a child’s fantasy film, but this is clearly intended for adults with an appreciation for a very specific type of humor (fans of his Mighty Boosh show would know what this is). I don’t often use the Gondryesque term when talking about other filmmakers, but King fuels the comedy with an imaginative spark – cardboard cutouts included, if only the toy box came with a less tedious narrative. Not even Edward Hogg, who was a discovery for me with White Lightin’ early this year at Sundance, could keep this afloat.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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