TIFF: Top 10 New Faces & Voices: #3. Samuel Maoz

Date:

#3. Samuel Maoz

Winning Venice Film Festival’s top prize is certainly proof that Samuel Maoz did something right with his first feature film – what he made was a moving, well-crafted anti-war film statement on a shoe-string budget. How shoe-string was the picture? No actual tanks were used for 99 percent of the film. Moaz stripes away any unnecessary details – this is a psychological profile without extra trimmings.

 
Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

2025 Cannes Critics’ Panel: Day 5 – Chie Hayakawa’s ‘Renoir’

Gradually making her presence known on the Croisette first...

Des preuves d’amour (Love Letters) | 2025 Cannes Film Festival Review

Evidence of Love: Douard’s Debut Reads Between the Lines...

I Only Rest In The Storm | 2025 Cannes Film Festival Review

White Impact: Pinho Explores the Ponderous Progress Through Post-Colonial...

A Useful Ghost | 2025 Cannes Film Festival Review

Ghost in the Machine: Boonbunchachoke Ain’t Afraid of No...