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Moebius | Blu-ray Review

Kim Ki-Duk’s latest cauldron of discomfort, Moebius, landed at the 70th Venice International Film Festival and received a limited theatrical release in New York...

Moebius | Review

Freudian Slip: Ki-duk Gets to the Greek South Korean auteur Kim Ki-duk outdoes himself with his latest theatrical release, Moebius, so named for the continuous...

No Write-Off…Ann Hui’s “The Golden Era” to Close out 71st Venice Film Fest

Hong Kong director Ann Hui's The Golden Era (Huang jin shi dai) now becomes the second title revealed for the next edition on the...

Pieta | Blu-ray Review

Yes, that’s right, Kim Ki-duk’s latest film, Pieta, is thus named for the famed sculpture of the Virgin Mary cradling the dead body of...

Arthur Newman | Review

Hello, Newman: Ariola’s Meditation on Getting a Life Fails to Have One For a film whose tagline aggressively demands, “If you don’t have a life,...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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