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Sweet Sixteen: Fantasia Becoming the Cannes of Genre Film Fests

An adolescent's sixteenth birthday marks a turning point in life when maturation occurs at a much more rapid pace and the teenager begins to...

2011 Midway Point: Jordan’s Top 10

#10. I Saw The Devil - Kim Jee-woon (March 4th) Byung-hun Lee and Min-sik Choi going head to head in a revenge drunk, ultra violent game of cat and mouse, crafted by the headstrong stylings of Kim Jee-woon? Sign me up.

Top 5: Best in South Korean Cinema in 2010

In 2010, the Korean film industry continued in its strong stride having several domestic hits such as spy flick Secret Reunion and Kim Jee-woon's controversial Venice and TIFF Film Festival selected I Saw the Devil, while the world film festival circuit, Korean film faired well with Lee Chang-dong grabbing center spot with Poetry in Cannes. Hong Sang-soo produced a pair of offerings including the Un Certain Regard winner Ha Ha Ha.

Sundance 2011 Spotlight Section: Tsangari, Villeneuve, Reichardt, Silva, Ayoade and Swanberg

Some major Venice, TIFF, NYFF titles have been added to Sundance including high quality premium titles in Attenberg, Meek's Cutoff and Submarine. Gregg Araki will once again have had the chance to showcase his films at top fest on the circuit, his latest film Kaboom which was shown at Cannes and TIFF will find it's final fest presentation in Park City. Denis Villeneuve will deliver one extra push before the Oscars (Incendies is a top tier pick among all the nominees). Mumblecore member Joe Swanberg is also in the section but with a world premiere of his film.

San Sebastián Int. Film Festival: Progress Report: Elena Trapé’s ‘Blog’ & Peter Mullan’s Neds Buzz Titles

The 58th edition of the San Sebastián Int. Film Festival got its start this past Saturday with a inaugural ceremony in which an absent Roman Polanski was awarded the 2010 FIPRESCI award from the international critics for The Ghost Writer. Olivia Williams, one of the actresses from the film, received the award on his behalf from the hands of the president of the international federation of cinema critics, Jan Lumholdt.

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