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2022 Cannes Film Festival Predictions – Directors’ Fortnight

Last month we learned that the upcoming 2022 edition of Directors' Fortnight (aka Quinzaine) taking place between May 18th to the 27th will be...

Rifkin’s Festival | Review

Spain & Glory: Allen Apes His Darlings in Familiar Comedy of Marital Discord The first entry of Woody Allen’s European banishment in the twilight years...

The Salt of Tears | Review

Love Means Never Having to Say: Garrel Continues Exploration of Love and Lust “Love ain’t nothin’ but sex misspelled,” Harlon Ellison astutely wrote, for too...

2020 Berlin Intl. Film Festival: Nicholas Bell’s Top 5 Most Anticipated Films

For its 70th edition, the Berlinale begins a new era by adding some new categories (mainly the newly minted Encounters program, a competition for...

Top 150 Most Anticipated Foreign Films of 2020: #14. Il Buco – Michelangelo Frammartino

#14. Il Buco / The Hole It’s been a full decade without a new narrative feature from Italy’s Michelangelo Frammartino, whose Le Quattro Volte was...

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Leave One Day (Partir un Jour) | 2025 Cannes Film Festival Review

Chef’s Kiss: Bonnin Uses Familiar Recipe in Pleasant Debut For...

Live From Cannes!!! Meet the Jury For Our 2025 Cannes Critics’ Panel

IONCINEMA.com has been gauging the pulse of the Palme...

Love (Kjærlighet) | Review

Ain’t Nothin’ But Sex Misspelled: Haugerud Continues Quiet, Earnest...

Sister Midnight | Review

Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been...

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