Reviews
The Quiet | Review
The Silent Treatment
Psychological drama gets into the spirit of family deconstruction.
Soaked in the dark socially-ill world where sign language is only useful for how good it will look on a resume instead of its practicality for communicating with someone with a disability, Jamie Babbit’s newest feeds off many social ills – especially the ones that need psychiatric care in the long term range. With a direct-to-video B-film quality, those familiar with the Poison Ivy series might find common storyline thread about girls getting with dirty old men, or dirty girls acting out revenge with a cheerleader’s uniform on the top drawer – The Quiet is reduced to teen-exploitation quality that lifts from the American Beauty fantasy without cultivating it into the more deserved nightmare.
Merging the cruel teenage and adult worlds, Elisha Cuthbert plays the blond-haired, skirt-kept-high, daddy’s girl as Camilla Belle portrays the newest, mostly unwanted new adopted kid with a hearing that is defunct. While one plays the victim as a victimizer, the other plays the victim one step closer to self-fulfillment. Abdi Nazemian and writing partner Micah Schraft draft a lackluster school-ground/home turf appointment where comparisons of a deaf girl to Beethoven’s aural deposition and the overwrought pill-popping mother makes for cliché characters in story full of equally cliché “film situationsâ€. Surely the horrible step sister and evil school spirit could have be played down and the ante been placed on more sinister matter – the revenge flick is best played out when the attention is given to the blue print and not sidetracked by laughable character motivations – why would there be some much unexpected cruelty towards a person who is hard of hearing?
Mostly fed by indoor locales, Babbit creates an ideal playground for the prey and predator layout – a blue-tinted, HD gloss, heavy with murky shadows and night shoots suggests that this family has many dark secrets – safe to say that this is a different genre than her last feature, But I’m A Cheerleader. Even with all the atmospheric details, the entire premise hurts like sea salt in the eye – The Quiet is populated by characters in denial – pretty much the lasting impression any viewer might have stumbling upon this U.S indie. For revenge combined with incest check out The Sweet Hereafter instead.