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Angelo | 2018 Toronto Intl. Film Festival Review

The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...

The Conversation: Producer Michel Merkt

Swiss producer Michel Merkt, who runs his own company KNM alongside his wife and often produces noted international projects with Said Ben Said of...

2018 Venice Film Festival: Jennifer Kent, Alverson, Corbet, Schnabel & Coen Bros. in Comp

Surprise, surprise. At the end of the day, Ethan and Joel Coen's The Ballad of Buster Scruggs is a feature film (not a series)...

The Conversation: Looking Towards the Lido

With less than ten hours separating us from the Venice Film Festival selections, the 2018 edition is one of the most anticipated competitions for...

2018 New Horizons Intl. Film Fest Unveil Programme! – Open with Labaki’s “Capharnaum” & Close with Rohrwacher’s “Happy As Lazzaro”

Now legal drinking age status, the New Horizons International Film Festival turns 18 this year and they'll be chock-full of offerings from the recent...

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The Testament of Ann Lee | Review

Shake It Up: Fastvold Envisions the Life’s Work of...

Interview: Amanda Seyfried – The Testament of Ann Lee

In Mona Fastvold's The Testament of Ann Lee, Amanda...

No Other Choice | Review

Slay the Competition: Chan-wook Explores the Horrors of Capitalism In...

Interview: Mona Fastvold – The Testament of Ann Lee

Her cinema deals with female interiority under constraint, isolation...

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