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Angelo | 2018 Toronto Intl. Film Festival Review

The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...

The Conversation: Producer Michel Merkt

Swiss producer Michel Merkt, who runs his own company KNM alongside his wife and often produces noted international projects with Said Ben Said of...

2018 Venice Film Festival: Jennifer Kent, Alverson, Corbet, Schnabel & Coen Bros. in Comp

Surprise, surprise. At the end of the day, Ethan and Joel Coen's The Ballad of Buster Scruggs is a feature film (not a series)...

The Conversation: Looking Towards the Lido

With less than ten hours separating us from the Venice Film Festival selections, the 2018 edition is one of the most anticipated competitions for...

2018 New Horizons Intl. Film Fest Unveil Programme! – Open with Labaki’s “Capharnaum” & Close with Rohrwacher’s “Happy As Lazzaro”

Now legal drinking age status, the New Horizons International Film Festival turns 18 this year and they'll be chock-full of offerings from the recent...

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Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Óliver Laxe has been on a whirlwind promotional tour...

Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

2025 André Bazin Prize: Louise Hémon’s ‘The Girl in the Snow’ (L’Engloutie) Wins

Selected for this year's Directors' Fortnight, Louise Hémon's The...

Interview: Morad Mostafa – Aisha Can’t Fly Away

Part of a new wave of Egyptian filmmakers testing...

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