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Key Players in the 2012 Cannes Film Market: The Match Factory
Experts in auteur cinema, German sales company The Match Factory have quite the sampling this year with names such as Thai Joe (Mekong Hotel...
2012 Cannes Film Festival Main Competition Selections: Reygadas, Haneke and Mungiu Joined by Daniels, Nichol and Vinterberg?!
As expected, master filmmakers both in the longstanding (Loach, Cronenberg, Reygadas, Haneke, Kiarostami) and relatively new (Matteo Garrone, Cristian Mungiu, Sergei Loznitsa) V.I.P members of...
Strand Recruits Docu Ballplayer: Pelotero
What do Apichatpong Weerasethakul and Dominican baseball players have in common? Strand Releasing of course. The distributor have made a successful play for theatrical...
Venice’s Orizzonti Has a Jury, Wants to ‘Cut’ to the Chase
Similar to the Directors' Fortnight in Cannes, or the Visions and Vanguard programmes at TIFF, Venice has their own special sidebar for the more experimental folk on the cinema stage, called Orizzonti (Horizons). Last year saw some pretty heavy titles in this section, including Catherine Breillat's dream fable Sleeping Beauty, José Luis Guerín's local colour doc Guest, Hong Sang-soo's quadrant-structured Oki's Movie, and Patrick Keiller's continuation of his heady essay films with Robinson in Ruins.
Toronto’s Lightbox Gets Obsessive Over the Spectacular Cinema of Fellini
While watching these films offers its own experiential whirligig of psychoanalytic readings and cultural anthropology, the exhibition - which consists largely of photographs, movie clips, and advertising memorabilia - gives them the sort of depth that one could only really have had by actually living through the pop culture melee that spawned them.
