Search results for: Apichatpong Weerasethakul

While watching these films offers its own experiential whirligig of psychoanalytic readings and cultural anthropology, the exhibition - which consists largely of photographs, movie clips, and advertising memorabilia - gives them the sort of depth that one could only really have had by actually living through the pop culture melee that spawned them.

Some auteurs grace cinephiles with their gifts only about has frequently as there are national elections (or if you're Terrence Malick, with the election of each new pope), and then there are guys like Hong Sang-soo, whose personal agenda seems to be: appear in as many major film festivals as possible until they cease to exist. Having just debuted one of his very best features, The Day He Arrives, in Cannes' Un Certain Regard section last May, he's now back to work on a new feature - though who's to say that he doesn't already have another new one in the can?

The 35th edition of the HKIFF takes place next month and compared to last year, this year's fest will have a little less local films premiering. In the Hong Kong Panorama section, only six films will be screened, which is half the number of last year’s output. This year, Johnnie To’s Don’t Go Breaking My Heart will be the opening film along with Quattro Hong Kong 2, a sort of the continuation to the last year’s Quattro Hong Kong, which is categorized as a tribute film to the city of Hong Kong.

Vienna celebrates almost two weeks' worth of film culture via the Viennale (a.k.a. Vienna International Film Festival). Bookended by Xavier Beauvois's Of Gods and Men, which took home the Grand Prix from this year's Cannes Festival, and Pedro González-Rubio's Alamar, Tiger Awardee in Rotterdam, the non-competitive fest tries to balance fiction, documentaries and short films in its main program.

Over 295 films - this includes shorts, fiction and documentary, animation, retrospectives, tributes, professional panels, outdoor interactive installations, the festival which takes place between the 13th to the 24th of October, furiously promotes not only world talent, but local French Canadian filmmakers. Among the notable titles, we have Michelangelo Frammartino's Le Quattro volte, Olivier Assayas' Carlos and Alex de la Iglesia's The Last Circus and Wang Bing is doing a Master Class for Venice-winning The Ditch. His epic 9 hour film Tie Xi Qu: West of the Tracks will also be shown as part of a retrospective.