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The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs Sends Regard with Poignant Elegy In the realm of contemporary queer auteurs, there isn’t anyone quite...

The Unknown (L’Inconnue) | 2026 Cannes Film Festival Review

She Who Is Not: Harari Explores Existential Identity Issues in the Body Swap “A woman, for me, must remain a woman,” stated Andrey Tarkovsky when...

Silent Friend | Review

Allegory of the Tree: Enyedi’s Masterful Meditation on Human Progress The metaphorical subtexts germinating to fruition through Ildikó Enyedi’s Silent Friend are formidable, even as,...

Itching for Istanbul: Nuri Bilge Ceylan Planning Summer 2026 Shoot

We are nearing the four-year gap between projects that celebrated Turkish filmmaker Nuri Bilge Ceylan typically allows between films so while this tidbit of...

The Macro & Micro: 1-2 Special Launches Enyedi’s ‘Silent Friend’ This May

It might be the best film of 2025 being launched in ... 2026. Silent Friend, which premiered at the Venice Film Festival and was...

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Interview: Xavier Tera – The Color of the Sun

After competing in Venice’s Orizzonti section and taking home...

Interview: Victor Boocard (Moongirl)

French filmmaker Victor Boccard traces his love of cinema...

Interview: Billie Piper – Elsinore

Across her beginnings as a pop-star, to television and...

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

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