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Strand Insures a Fairy Tale Ending for ‘Bluebeard’

I'd bet that workaholic Catherine Breillat didn't take much "vaca" time off between The Last Mistress and her lastest film. This would explain why I was unaware of Bluebeard's existence up until it was announced for Berlin back in February.

A Woman’s Life (La Vie d’une femme) | 2026 Cannes Film Festival Review

Things to Come: Bourgeois-Tacquet Explores an Affair to Remember Crimes of the heart are afoot once more in Charline Bourgeois-Tacquet’s A Woman’s Life (La Vie d'une...

La Danse des Renards (Wild Foxes) | 2025 Cannes Film Festival Review

Fox on the Run: Carnoy Explores Bruised Masculinity Following the incestuous liaison of Catherine Breillat’s Last Summer (2023), Samuel Kircher (son of Irene Jacob) braces...

2024 Eurimages: Maryam Touzani, Emily Atef, May el-Toukhy & Kaouther Ben Hania Land Coin

The results of the third Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of filmmakers we find the likes...

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The Dreamed Adventure | 2026 Cannes Film Festival Review

The Era of Men: Valeska Dredges the Darkness of...

2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...

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