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Strand Insures a Fairy Tale Ending for ‘Bluebeard’

I'd bet that workaholic Catherine Breillat didn't take much "vaca" time off between The Last Mistress and her lastest film. This would explain why I was unaware of Bluebeard's existence up until it was announced for Berlin back in February.

A Woman’s Life (La Vie d’une femme) | 2026 Cannes Film Festival Review

Things to Come: Bourgeois-Tacquet Explores an Affair to Remember Crimes of the heart are afoot once more in Charline Bourgeois-Tacquet’s A Woman’s Life (La Vie d'une...

La Danse des Renards (Wild Foxes) | 2025 Cannes Film Festival Review

Fox on the Run: Carnoy Explores Bruised Masculinity Following the incestuous liaison of Catherine Breillat’s Last Summer (2023), Samuel Kircher (son of Irene Jacob) braces...

2024 Eurimages: Maryam Touzani, Emily Atef, May el-Toukhy & Kaouther Ben Hania Land Coin

The results of the third Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of filmmakers we find the likes...

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2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

From Belgium, Lukas Dhont makes his third trip to...

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

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