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Strand Insures a Fairy Tale Ending for ‘Bluebeard’

I'd bet that workaholic Catherine Breillat didn't take much "vaca" time off between The Last Mistress and her lastest film. This would explain why I was unaware of Bluebeard's existence up until it was announced for Berlin back in February.

A Woman’s Life (La Vie d’une femme) | 2026 Cannes Film Festival Review

Things to Come: Bourgeois-Tacquet Explores an Affair to Remember Crimes of the heart are afoot once more in Charline Bourgeois-Tacquet’s A Woman’s Life (La Vie d'une...

La Danse des Renards (Wild Foxes) | 2025 Cannes Film Festival Review

Fox on the Run: Carnoy Explores Bruised Masculinity Following the incestuous liaison of Catherine Breillat’s Last Summer (2023), Samuel Kircher (son of Irene Jacob) braces...

2024 Eurimages: Maryam Touzani, Emily Atef, May el-Toukhy & Kaouther Ben Hania Land Coin

The results of the third Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of filmmakers we find the likes...

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2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...

2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race

The International Feature Film category is only beginning to...

Park Ji-Min Joins Théodore Pellerin in Philippe Lesage’s ‘I Just Want a Great Love Story’

Production has begun on Philippe Lesage's highly anticipated I...

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