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2023 Cannes: Glazer, Ceylan, Rohrwacher, Haynes & Ramata-Toulaye Sy Competing for the Palme d’Or

A surprise Wim Wenders project (Perfect Days), a rare directorial debut Ramata-Toulaye Sy (Banel et Adama) and a Wang Bing film (Jeunesse) are part...

2023 Cannes Film Festival Predictions – 24 Palme d’Or Hopefuls

It's official folks! The drop date has been confirmed. There'll be a couple of films that trickle in a bit after the announcement is...

Anaïs in Love | Review

She’s Pure as New York Snow: Bourgeois-Tacquet Charms in Effortless, Effective Comedy With her unexpectedly charming debut, Anaïs in Love, director Charline Bourgeois-Tacquet presents the...

La Fracture | 2021 Cannes Film Festival Review

Conqueror Worms: Corsini Juggles Metaphors in Strangely Asymmetrical Social Issue Film Director Catherine Corsini metastasizes an ensemble exercise for her eleventh feature, La Fracture, a...

Softie (Petite nature) | 2021 Cannes Film Festival Review

Sharp Shock to Your Soft Side: Theis Mines the Uncomfortable Realities of Sexuality In the one-hundred-and-twenty-five years since the detrimental trials of Oscar Wilde and...

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Interview: Alireza Khatami – The Things You Kill

For his second feature film, Toronto-based Alireza Khatami tackles...

Sirat | Review

A Bridge Too Far: Laxe Enters the Zone “The Zone...

Sound of Falling | Review

Women on the Verge of a Nervous Breakdown: Schilinksi...

The Things You Kill | Review

A Poison Tree: Khatami Deconstructs the Psychoses of Patriarchy For...

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