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Being Maria | Review

Forever Noor: Palud’s Schneider Moves From Being a Passenger to Just Saying Non Since the advent of cinema, it’s been standard operating procedure for the...

2023 Cannes Film Festival: Nicholas Bell & Eric Lavallée’s Top 10

We arrived. We watched. We reviewed. We lost a lot of sleep and we battled the ticketing system. Combining our efforts to bring you...

2023 Cannes Critics’ Panel: The Zone of Interest, Fallen Leaves, La Chimera & Anatomy of a Fall Top Grid

It was hovering around the 4.0 average and would settle for a final 3.9 grade and never let go of the top spot in...

Le retour | 2023 Cannes Film Festival Review

Put a Label on It: Corsini’s Corsica is a Lieu for Inter & Intra-personal Growth Napoleon Bonaparte’s birthplace is certainly a site rich in history...

You BETcha!: Kaouther Ben Hania, Ramata-Toulaye Sy, Alice Rohrwacher, Wang Bing & Glazer Top Contenders for the Palme d’Or

Yesterday the Cannes Film Festival opened with Maïwenn’s Jeanne du Barry (marking the return of Johnny Depp in the French language no less) but...

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Interview: Alireza Khatami – The Things You Kill

For his second feature film, Toronto-based Alireza Khatami tackles...

Sirat | Review

A Bridge Too Far: Laxe Enters the Zone “The Zone...

Sound of Falling | Review

Women on the Verge of a Nervous Breakdown: Schilinksi...

The Things You Kill | Review

A Poison Tree: Khatami Deconstructs the Psychoses of Patriarchy For...

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