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The Life Apart | 2024 Locarno Film Festival Review

Imitation of Life: Giordana Composes an Old-Fashioned Miracle Music seems to be the language of the heart in The Life Apart (La vita accanto), a bizarre...

2024 Cannes Film Festival: Matthew Rankin, Tyler Taormina, Poggi/Vinel & India Donaldson Lock in Directors’ Fortnight

This year's edition of the Directors' Fortnight will begin with Barbie and end with...plastic. Julien Rejl's selection committee have lassoed a total of twenty-one...

2023 TIFF: Radu Jude, Denis Côté, Kleber Mendonça Filho & Phạm Thiên An Cement Wavelengths

And now we can officially state that the TIFF selections are now complete with the Wavelengths programme being unveiled. A mix of Berlin, Cannes...

Beginning | Review

Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration For decades, the international presence of Georgian cinema was thanks (mostly) to the output...

IONCINEPHILE of the Month: Dominga Sotomayor’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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