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Masquerade | 2022 Cannes Film Festival Review

Dirty Rotten Scoundrels: Bedos Takes the Grift Shift in French Riviera Crime Caper For a film opening with W. Somerset Maugham’s line, “The French Riviera...

2022 Berlinale: Seidl, Sangsoo, Hers, Meier, Taviani, Denis Cote & Clare Denis in Golden Bear Comp

Several of the names that figured in our most anticipated list and a new Hong Sangsoo project (The Novelist’s Film) are among the eighteen...

Inexorable | 2021 Toronto Intl. Film Festival Review

The Hand that Mocks the Cradle: Du Welz Finds an Interloper in Vintage Throwback Long before a lithesome ingenue shows up to ruin a wealthy...

Summer of 85 (Été 85) | Review

Summertime Sadness: Ozon Casts Yonder Glance at the Boys of Summer Rare is the year without a fresh offering from perennial French favorite François Ozon,...

2020 TIFF: Mundruczó, Franco, Rosi, Jasmila Zbanic & Chaitanya Tamhane Among High Profile Selections

With the red carpets remaining in storage this year and A-list players making no plans to quarantine for two full weeks in Canada's capitol,...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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