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Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...

2024 Cannes Film Festival Predictions – 25 Possible Palme d’Or Competition Films

Usually in the twenty to twenty-two film range, the competition for the Palme d'Or has been a tad more inclusive in recent years in...

2023 Cannes: Palme Winner Julia Ducournau, Paul Dano & Rungano Nyoni Among Jury!

Ruben Östlund has a bunch of cinephile buddies to help him hand out the big daddy of all film prizes this May with the...

Par Coeurs | Review

A Matter of Method: Jacquot Surveys the Techniques of Two French Titans in Conversational Doc “I’m all at sea,” moans Isabelle Huppert at the onset...

¡Viva Argento! Isabelle Huppert Joins New Dario Argento Paris Project Next Spring

After shoring up in Jerzy Skolimowski's EO, Isabelle Huppert will now work with another octogenarian in horror helmer Dario Argento. Currently showcasing Dark Glasses...

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Fatherland | Review

Interview: Beth de Araújo – Josephine

With the Gotham and Independent Spirit Awards nominations just...

Interview: Marion Bailey – Tender Loving Care

After one roundtable questionKate O’Flynn, journalists at the London...

Interview: Kate O’Flynn – Tender Loving Care

Slowly making her way through Mike Leigh’s filmography with...

Interview: Guy Nattiv, Carrie Coon & Lily James – The Liberation

Guy Nattiv has repeatedly explored the ways private lives...

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