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Descriptions added to the 56 Cannes Film Festival Selected Films for the 2020 Edition

Adding more value to their June 3rd unveiling, what went into this selection process and to be frank, some of these short descriptions will...

On a Magical Night | Review

A Room with a Screw: Honoré Waxes Playful on Marital Discord The flexibility (or lack thereof) of fidelity in heteronormative relationships is at the center...

Top 150 Most Anticipated Foreign Films of 2020: #131. De nos frères blessés – Hélier Cisterne

De nos frères blessés Seven years after his lauded 2013 debut Vandal, Hélier Cisterne (an actor we caught in John Shank's Last Winter) returns with...

The Conversation: Bringing Up Berlin – Predictions for the 2020 Berlinale

Berlin becomes a septuagenarian in 2020. The significant European springboard will also receive a new facelift in the early dawn of the new decade,...

The Conversation: Parasite Leads 2020 Best International Feature Film Hopefuls

With Locarno, Venice, TIFF, and San Sebastian still to come, a number of potential foreign film submissions may have yet to be unveiled, potentially....

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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