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L’étranger (The Stranger) | 2025 Venice Film Festival Review

Anatomy of a Mime: Ozon Explores the Seduction of Indifference Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...

2025 Venice: Fastvold, Lanthimos, Assayas, Baumbach, Chan-wook, del Toro, Bigelow, Ben Hania, Benny Safdie & Shu Qi in Golden Lion Comp

Valérie Donzelli (À Pied d’Oeuvre), Cai Shangjun (The Sun Rises on Us All), Kaouther Ben Hania (The Voice of Hind Rajab) and the directorial...

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...

2024 Cannes Film Festival Predictions – 25 Possible Palme d’Or Competition Films

Usually in the twenty to twenty-two film range, the competition for the Palme d'Or has been a tad more inclusive in recent years in...

2023 Cannes: Palme Winner Julia Ducournau, Paul Dano & Rungano Nyoni Among Jury!

Ruben Östlund has a bunch of cinephile buddies to help him hand out the big daddy of all film prizes this May with the...

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La grazia | Review

The Long Goodbye: Sorrentino Returns to Familiar Remembrances of...

Interview: Arab Nassar – Once Upon a Time in Gaza

Over the course of their three feature films, Gaza-born...

Interview: Tawfeek Barhom – I’m Glad You’re Dead Now (Short)

From Tarik Selah's Boy from Heaven (2022) to the...

Interview: Ali Asgari – Divine Comedy

Sometimes, in a landscape where censorship and endless approvals...

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