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Kajillionaire | Review

Money Monsters: July Returns with Poignant Puzzle of Curious Criminals Con artists come in all shapes and sizes, but nowhere are they as decidedly low...

The Last Shift | Review

Stuck in Neutral: Cohn Cooks Up Sensitive (and Hilarious) Fast Food Tragedy Andrew Cohn delivers a heart-wrenching ode to the working class, missed connections and...

2020 Venice Film Festival: Michel Franco, Mona Fastvold, Jasmila Zbanic & Konchalovsky in Comp

Mona Fastvold, Emma Dante and Chloé Zhao were tipped for the comp months ago, but today heavyweights such as Jasmila Zbanic, Malgorzata Szumowska (Never...

Fatal Affair | Review

Temptation Machination: Sullivan Explores Ills of Infidelity in Extramarital Thriller “The house is new but the man is not,” jests the unfortunate protagonist in Peter...

Life After Wartime: Balagov Crafts Exemplary Portrait of Post-WWII Role of Women with “Beanpole” (2019) | Blu-ray Review

Winning the Best Director Prize out of Un Certain Regard at the 2019 Cannes Film Festival (where it also took home the FIPRESCI Prize),...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont...

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