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We Summon the Darkness | Review

Heaven and Earth: Meyers Tackles Organized Religion with Droll Thriller Director Marc Meyers returns to the isolating terrors of the rural Midwest in a different...

Criterion Collection: Teorema (1968) | Blu-ray Review

“Whatever the bourgeois do is wrong?” is a question posited in the flurried opening segment of Pier Paolo Pasolini’s arcane arthouse classic Teorema, a...

The Whistlers | Review

If I Want to Whistle, I Whistle: Porumboiu Goes Mainstream with Neo-noir Romanian New Wave alum Corneliu Porumboiu makes a marked departure with his latest...

Saint Frances | Review

Au Pair Affair: Thompson and O’Sullivan Present Warm Debut with Body Positive Dramedy There’s much to be said for an authentic, well-calibrated scenario, whether or...

Edson Oda’s Nine Days Leads Dylan Dempsey’s Top 10 Films of the 2020 Sundance Film Festival

This year’s Sundance slate was one of the most diverse ever: nearly half of the 128 feature films were directed by women; 34% of...

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Enzo | 2025 Cannes Film Festival Review

Call Me By Your Pain: Campillo Gently Guides Cantet’s...

IndieSponge Episode: 2025 Cannes Film Festival Palme d’Or Predictions

Before our official June relaunch, Kevin Jagernauth and I...

Leave One Day (Partir un Jour) | 2025 Cannes Film Festival Review

Chef’s Kiss: Bonnin Uses Familiar Recipe in Pleasant Debut For...

Live From Cannes!!! Meet the Jury For Our 2025 Cannes Critics’ Panel

IONCINEMA.com has been gauging the pulse of the Palme...

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