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Top 100 Most Anticipated Foreign Films of 2018: #6. Andrey Konchalovsky’s Il Peccato

Il Peccato A titan of Russian cinema, Andrey Konchalovsky famously cut his teeth as a writer for Tarkovsky (Ivan’s Childhood; Andrei Rublev) before breaking out...

Insidious: The Last Key | Review

Back to Basics: Two Prequels Forward Equals Another Step Back for the B-Horror Franchise When James Wan premiered his wonderfully effective 2010 supernatural thriller...

Sundance ’18: Pozdorovkin, Mor Loushy, Sandi Tan & M.I.A. Pack the World Cinema Docu Comp

Last year's dozen selections included Rahul Jain's Machines (World Cinema Documentary Special Jury Award), Adam Sobel's The Workers Cup and Feras Fayyad's searing World...

Sundance ’18: Morano, Silva, Akhavan & Boots Riley Among U.S. Dramatic Comp Selections

Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...

2018 Sundance Film Festival Predictions: Craig William Macneill’s Lizzie

Originally this had helmer Pieter Van Hees set to direct, but this would become Craig William Macneill's sophomore film instead. Filming on Lizzie took place in...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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