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Magic Mike: XXL | Review
Live Hard, Sell Hard: Jacobs’ Fluffer Sequel Has One Track Mind
Considering the interest and financial success of 2012’s Magic Mike, it’s no surprise to...
The Tribe | Review
Get the Picture: Slaboshpitsky’s Excellent, Memorably Pronounced Debut
In a sea of derivative cinematic components, wholly original ideas seem few and far between. In a...
Alias Maria | 2015 Cannes Film Festival Review
Guerillas in the Mist: Rugeles Explores the Jungles in Labored Sophomore Effort
An intriguing perspective within a terrifying environment initially makes for a compelling scenario...
I Believe In Unicorns | Review
Oh Them Silly Unicorns: Meyerhoff’s Coming of Age Debut Prizes Style Over Substance
Director Leah Meyerhoff most effectively conveys the nature of her debut film,...
Blackbird | Review
The Boys in the Choir: Polk’s Antiquated Rendition of the Rural Gay Narrative
The blatant underrepresentation of black gay characters in film, whatever letter they’re...
