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2024 Sundance Film Festival Predictions: Sarah Friedland’s Familiar Touch

After a decade of short film and installation work, filmmaker (and choreographer) Sarah Friedland danced into her feature film debut and has been in...

Showing Up | Review

Bird is the Word: Reichardt Returns with Warm Portrait of Art and Ennui To some it may seem too slight and to others just right,...

2022 Cannes Coverage Wrap-Up: Competition

Armageddon Time - James Gray Boy from Heaven - Tarik Saleh Broker - Hirokazu Kore-eda Frère et sœur - Arnaud Desplechin Close - Lukas...

2022 Cannes Film Festival: Eric Lavallée’s Top 5 Most Anticipated!

Yesterday we took a look at Nicholas Bell's top 5 most anticipated films for Cannes 2022. Now it's my turn. Competition: R.M.N. He usually takes about a...

Live from Cannes: 2022 Cannes Critics’ Panel – Meet the Jury!

Last year's behemoth two dozen title competition saw Julia Ducournau’s Titane take the top honors landing the Palme d'Or but our jury of twenty...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

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