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Live from Cannes: 2022 Cannes Critics’ Panel – Meet the Jury!

Last year's behemoth two dozen title competition saw Julia Ducournau’s Titane take the top honors landing the Palme d'Or but our jury of twenty...

2022 Cannes: Hansen-Løve, Winocour, Léa Mysius & Anna Rose Holmer in the Directors’ Fortnight

Pietro Marcello will be joined by the likes of Mia Hansen-Løve, Alice Winocour with sophomore features from Léa Mysius & Anna Rose Holmer in...

2022 Cannes Film Festival Predictions – 24 Palme d’Or Hopefuls

We've looked at the non-competing sections (10 predictions). We've visited (20 predictions) the possible Critics' Week programme. We explored (20 predictions) options for the...

First Cow | Review

Viva La Vache: Reichardt Paints A Surprising Portrait Of Friendship Kelly Reichardt conjures up an unlikely buddy-movie out of 19th-century fledging America: a tender, no-frills ode...

Interview: Producer Jay Van Hoy | 2019 American Film Festival in Wroclaw (Indie Star Award)

A quiet but influential presence in the North-American indie scene, producer Jay Van Hoy has built an impressive filmography since he started Parts &...

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Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Óliver Laxe has been on a whirlwind promotional tour...

Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

2025 André Bazin Prize: Louise Hémon’s ‘The Girl in the Snow’ (L’Engloutie) Wins

Selected for this year's Directors' Fortnight, Louise Hémon's The...

Interview: Morad Mostafa – Aisha Can’t Fly Away

Part of a new wave of Egyptian filmmakers testing...

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