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Through the Looking Glass – the Top 50 American Indie Films of 2019: Picks #5 to #1

#5. Eliza Hittman's A With Eliza Hittman oeuvres we find a cinema about those trying to fit in. In remarkable back to back micro portraits in 2013's It...

Top 100 Most Anticipated American Indie Films of 2018: #18. Debra Granik’s Leave No Trace

Leave No Trace Only her third feature fiction film following Down to the Bone (2004) and Winter’s Bone (2010), it always feels like a true cinematic event...

2018 Sundance Film Festival: Nicholas Bell’s Top 5 Most Anticipated Films

Over the past few years, Sundance has arguably shunted most of its noteworthy titles off into its sidebars, whether they be prestigious premieres from...

2018 Sundance Film Festival Predictions: Debra Granik’s My Abandonment

We likened her to Kelly Reichardt with a cinema that should sprout internationally and so we were genuinely surprised when she didn't drop into...

Night Moves (1975) | Blu-ray Review

Released between a pair of revisionist Westerns (1970’s Little Big Man and 1976’s The Missouri Breaks), Arthur Penn’s 1975 neo-noir Night Moves remains an...

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2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...

2026 Cannes Critics’ Panel: Fatherland & Fjord Rated Top Films of Cannes!

The Palme d'Or winner and the Best Director winners...

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