#5. Eliza Hittman's A
With Eliza Hittman oeuvres we find a cinema about those trying to fit in. In remarkable back to back micro portraits in 2013's It...
Leave No Trace
Only her third feature fiction film following Down to the Bone (2004) and Winter’s Bone (2010), it always feels like a true cinematic event...
Over the past few years, Sundance has arguably shunted most of its noteworthy titles off into its sidebars, whether they be prestigious premieres from...
Released between a pair of revisionist Westerns (1970’s Little Big Man and 1976’s The Missouri Breaks), Arthur Penn’s 1975 neo-noir Night Moves remains an...