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2012 Cannes Film Festival Predictions: Manoel de Oliveira’s Gebo and the Shadow

Gist: The Portuguese filmmaker is working in the French language once again, this one based on a play by Raul Brandão. Set in the...

About Endlessness [Video Review]

Beauty & Banality: Andersson Ponders the Void in Potential Final Film There might be no greater spiritual absurdist than Sweden’s premiere arthouse auteur Roy Andersson,...

All the Dead Ones | 2020 Berlin Intl. Film Festival Review

Turn and Face the Strange: Caetano & Gotardo Navigate Displacement in Stellar Period Piece The tagline for George Cukor’s 1939 classic The Women read “It’s...

71st Venice Film Fest: Oppenheimer, Akin, Bahrani, Andersson & Ferrara Compete for Golden Lion

Whiles the likes of Terrence Malick, Todd Haynes, Alexander Sokurov, Giorgos Lanthimos and J.C. Chandor no where to be found in the fall fest season...

Cannes Video Day 1: Behind Locker Number…

As a more economical way of previewing some of the films that are being featured daily at the festival, I've decided to come up with this quick featurette of a journalist retrieving the items in his press box. Today I received press kits for:

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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