Search results for: Mark Lewis

Ruffalo's film school consists of working under Michael Mann, Spike Jonze, Martin Scorsese, David Fincher and Ang Lee, so when a passion project between him and good friend Thornton finally comes to fruition, one has to wonder whether the prior work can help mold the actor as a helmer. The project certainly doesn't feel cookie-cutter, so could this be a feel good film in spandex, metalhead clothing?

Let’s be honest, who doesn’t have a deep seeded love for the fab four? How could anyone resist those Liverpool lovelies, with their matching...

Everyone in the avant-garde and experimental cinema world seems to revel in the idea of 'space': interior & exterior spaces, how one 'negotiates' space, 'place' vs. 'space', 'virtual' vs. 'physical', mapping vs. traveling, and so on down the line. Really, though, as we're officially immersed in the still foreign space known as the WWW, we're more disoriented now than ever before.

Principal photography has just been completed on Jim Loach’s debut feature Oranges and Sunshine starring Emily Watson, Hugo Weaving and David Wenham. The film follows the story of a social worker from Nottingham who uncovers a scandal involving the organised deportation of children in care from the UK to Australia.

Tons of Park City alumni are bringing their latest films, but I'm a bit surprised that March-pegged releases of The Weinstein's All Good Things and Focus Features' Greenberg aren't getting a Park City push. Instead, as expected, Sony Pictures Classics will show up and they get to showcase Get Low and A Prophet (Spotlight section) once again, and they'll preem Holofcener's Please Give. Overture will introduce Philip Seymour Hoffman's directing debut (Jack Goes Boating) and Fox Searchlight will preem Duplass Bros.' untitled comedy, which I'm calling Center of Attention - because its a great title considering the subject matter.