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Top 25 Most Anticipated Studio Films of 2019

And between the remakes, prequels, sequels, reboots and rehashes pouring out of the Hollywood studio system, we sift through the detritus of continual superhero...

Top 150 Most Anticipated Foreign Films of 2019: #14. I Was At Home, But (Ich war zuhause, aber) – Angela Schanelec

I Was At Home, But (Ich war zuhause, aber) German art-house auteur Angela Schanelec will be set to unveil her ninth feature, the intriguingly titled,...

Angelo | 2018 Toronto Intl. Film Festival Review

The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...

Live from Cannes: 2018 Cannes Critics’ Panel – Meet the Jury!

Celebrating our seventh year, for the 71st edition of Cannes, we decided to switch things up for our Cannes Critics' Panel. First, we expanded...

The Conversation: Producer Jean Labadie

Jean Labadie is a name which perhaps remains a tad obscured despite his formidable influence on the French film industry. In 1986, Labadie founded...

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Interview: Alexandre Dostie – Boa (Short Film)

We first took note of Quebecois filmmaker Alexandre Dostie...

2025 Marrakech Film Festival: New Projects by Scandar Copti, Mounia Akl & Amjad Al Rasheed at the Atlas Workshops

Before the Marrakech Film Festival unveil their 2025 line-up,...

Interview: Ulises Porra – Under the Same Sun

For his third feature, Ulises Porra embarks on an...

Duolingo Mode: Sebastian Stan Targets ‘Impunity’ in Gálvez’s Pinochet-Era Spy Thriller

After returning to his Romanian roots for Cristian Mungiu’s...

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