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The Zone of Interest | Review

Verboten Zone: Glazer Returns with Historical Horror It’s impossible to contemplate Jonathan Glazer’s fourth feature, The Zone of Interest, without referencing Hannah Arendt’s publication on...

Dude (Looks Like A Lady): Sandra Hüller Toplines Markus Schleinzer’s Gender Bender “Rose”

Austrian filmmaker (and a supporting player on a slew of recent films) Markus Schleinzer is finally getting back into the director's chair and he...

Vortex | Review

All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death There’s no pleasure to be had, whatsoever, in the experiencing...

John and the Hole | Review

The Little Boy Who Lives Down the Lane: Sisto Finds a Psychopath in Disturbing Debut There’s no arguing the discomforting vibe of John and the...

Adoration | Review

Gloria, You’re Always on the Run Now: Du Welz Completes Ardennes Trilogy with Innocence Lost in Dark Fairy Tale An exercise wherein true and unfaltering...

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Eyes on the Podium: Mary Bronstein Has Jenna Ortega & Rose Byrne as Rivals in ‘Nasty’

Warner Bros.’ indie label Clockwork lassoed the future cinema...

2026 TIFF: Naishtat, Rachel Morrison & Bassam Tariq World Premieres Added; Zellners Heading to Venice

Five Special Presentations programme titles have been added to...

2026 NYFF: James Gray’s Nightmarish American Dream ‘Paper Tiger’ to Open 64th Edition

James Gray’s Paper Tiger has been selected by the...

2026 Venice: Danny Boyle’s ‘Ink’ is the Opener for Golden Lion Competition

Danny Boyle's INK will indeed competition for the Golden...

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