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2025 Cannes Critics’ Panel: Day 2 – Mascha Schilinski’s ‘Sound of Falling’

A little bit after this year's Berlinale, there was was a great deal of buzz surrounding a certain German title that opted for the...

The Zone of Interest | Review

Verboten Zone: Glazer Returns with Historical Horror It’s impossible to contemplate Jonathan Glazer’s fourth feature, The Zone of Interest, without referencing Hannah Arendt’s publication on...

Dude (Looks Like A Lady): Sandra Hüller Toplines Markus Schleinzer’s Gender Bender “Rose”

Austrian filmmaker (and a supporting player on a slew of recent films) Markus Schleinzer is finally getting back into the director's chair and he...

Vortex | Review

All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death There’s no pleasure to be had, whatsoever, in the experiencing...

John and the Hole | Review

The Little Boy Who Lives Down the Lane: Sisto Finds a Psychopath in Disturbing Debut There’s no arguing the discomforting vibe of John and the...

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Sumo: Spirit Weighs Nothing | 2026 London BFI Film Festival Review

A Heavy Toll: Shirai’s Artful Take on the Body...

Interview: Virginie Efira – All of a Sudden

In All of a Sudden (read review), Virginie Efira delivers...

Interview: Nathalia Acevedo – Salón de belleza

Actress-turned-filmmaker Nathalia Acevedo made her feature directorial debut with...

Fjord | Review

Uncanny Valley: Mungiu Explores Liberated Prisons Totalitarian mentality is driven...

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