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2025 Cannes Critics’ Panel: Day 2 – Mascha Schilinski’s ‘Sound of Falling’

A little bit after this year's Berlinale, there was was a great deal of buzz surrounding a certain German title that opted for the...

The Zone of Interest | Review

Verboten Zone: Glazer Returns with Historical Horror It’s impossible to contemplate Jonathan Glazer’s fourth feature, The Zone of Interest, without referencing Hannah Arendt’s publication on...

Dude (Looks Like A Lady): Sandra Hüller Toplines Markus Schleinzer’s Gender Bender “Rose”

Austrian filmmaker (and a supporting player on a slew of recent films) Markus Schleinzer is finally getting back into the director's chair and he...

Vortex | Review

All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death There’s no pleasure to be had, whatsoever, in the experiencing...

John and the Hole | Review

The Little Boy Who Lives Down the Lane: Sisto Finds a Psychopath in Disturbing Debut There’s no arguing the discomforting vibe of John and the...

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Agata the Writer | 2026 Venice Film Festival Review

The Blindness of Strangers: Dorabialski Stings the Storyteller “In the...

Woman Unknown | 2026 Venice Film Festival Review

The Penile Code: el-Toukhy Explores the Gendered Paradox of...

The Echo Chamber | 2026 Venice Film Festival Review

An Affair to Disremember: Pallaoro Explores the Unbearable Bleakness...

Oase (Oasis) | 2026 Venice Film Festival Review

The Child Inside: Lenz Explores the Virtues of Violence For...

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