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The Zone of Interest | Review

Verboten Zone: Glazer Returns with Historical Horror It’s impossible to contemplate Jonathan Glazer’s fourth feature, The Zone of Interest, without referencing Hannah Arendt’s publication on...

Dude (Looks Like A Lady): Sandra Hüller Toplines Markus Schleinzer’s Gender Bender “Rose”

Austrian filmmaker (and a supporting player on a slew of recent films) Markus Schleinzer is finally getting back into the director's chair and he...

Vortex | Review

All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death There’s no pleasure to be had, whatsoever, in the experiencing...

John and the Hole | Review

The Little Boy Who Lives Down the Lane: Sisto Finds a Psychopath in Disturbing Debut There’s no arguing the discomforting vibe of John and the...

Adoration | Review

Gloria, You’re Always on the Run Now: Du Welz Completes Ardennes Trilogy with Innocence Lost in Dark Fairy Tale An exercise wherein true and unfaltering...

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2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...

2026 Cannes Critics’ Panel: Fatherland & Fjord Rated Top Films of Cannes!

The Palme d'Or winner and the Best Director winners...

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