Search results for: Ming Wong
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This Must Be the Place | Review
But I Guess I’m Already There: Why is Sorrentino’s Strange, Offbeat English Language Debut…?
The promising combination of Italian master Paolo Sorrentino’s English language debut...
2012 Vanguard Section: Peaches, Jesper Ganslandt, Soi Cheang and Peter Strickland Make the Cut
Easily the section that this journalist feels the most at home with, this year's Vanguard section (programmed by such folk, among others Scandi-discoverer Steve...
2012 Midnight Madness section The ABCs of Death, Hellbenders and Seven Psychopaths
Midnight Madness programmer Colin Geddes might have just topped himself as 2012 edition already looks to be a legendary year with 9 world preems,...
Inside Cannes 2012 T Minus one: Korine’s “Spring Breakers” and Tarantino’s “Django” Among Croisette Eye Candy
This year's pre film festival stroll beginning from the Palais portion of the Croisette and heading towards the posh hotels out east begins with...
25 Alternative 2011 TIFF Picks: Xu Haofeng’s The Sword Identity
Multidisciplinarian Xu Haofeng is not only a newbie filmmaker but happens to be a novelist, Taoist scholar, martial-arts connoisseur and co-writer for Wong Kar-wai’s The Grand Master. The word on this Venice Film Festival invited title is that it takes the genre into a completely different realm - we Haofeng calling this “inner martial arts“ presented visually and aurally. Count me in!
