In give or take 364 days from now, the 65th edition of the Cannes film festival will be upon us. I know it's absurd, but there are some bonafide films in the works from some Cannes vets and according to these prognostications I supply below, we'll have one more heavyweight event with the possible participation from the likes of Abbas Kiarostami, Olivier Assayas, Paul Thomas Anderson and Hou Hsiao Hsien being joined by recent Palme d'Or winners (2008 and 2009) Laurent Cantet and Michael Haneke.
Among this year’s 13 selected (from 1073 - that's about one film for every 100 submitted) international narrative feature submissions, we find one title that is high up on our must see list in Paddy Considine's directing debut entitled Tyrannosaur. Last year we had Animal Kingdom ranked in the same spot. Here are the other 12 from pretty much all over the world.
I was wondering why Peter Mullan's Neds wasn't included in Venice. I was wondering why the Midnight Madness section didn't name Koen Mortier's latest. I was wondering why Cannes regular Bent Hamer wasn't in Cannes. TIFF's CWC section has all three high profile items, plus Venice Film Festival's Meek's Cutoff (Kelly Reichard) and Three (Tom Tykwer). Reichard will participate in Kelly Reichardt in a Mavericks discussion about the behind the scenes of her process.
New logo. New website. New artistic director. Olivier Pere exited to become the head honcho at Locarno, so the Director's Fortnight, also known as La Quinzaine des Réalisateurs, will be Frederic Boyer's baby this year. The mandate will remain the same, but will the tastes differ? Pere's legacy includes some of my favorites over the past decade such as Corneliu Porumboiu's 12:08 East of Bucharest...
I spent all of last week divulging some of films that I expect to be in Cannes this year, and Screen Daily happened to do the same. There are a good number of films that are mentioned of both sites' lists, but I mention about twenty films that the trade makes no mention of, and of course they have got a long list as well of films that I either passed on as potential selections or I was totally oblivious as to their existence.