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Most Anticipated Foreign Films of 2017: Picks 200 to 101

As we unveil our first tier of two hundred notable foreign film projects to be potentially unveiled in 2017, the coming year promises to...

The Whispering Star | 2016 Japan Cuts Film Festival Review

The Human Factor: Sono’s Somber Allusions to the Allegory of the Cave When one contemplates the continuously expanding filmography of Japanese auteur Sion Sono, hyperbolic...

Criterion Collection: Jellyfish Eyes | Blu-ray Review

Criterion adds Jellyfish Eyes to its collection, the directorial debut of prolific Japanese artist Takashi Murakami. Known for his multi-faceted platforms of painting, sculpture,...

Tokyo Tribe | Review

Why Don’t You Play in the Streets?: Sono’s Overblown Street War Musical Many consider Sion Sono to be Takashi Miike’s succeeding enfant terrible, both in...

TIFF 2015: Abrahamson’s “Room” Steals “Spotlight” with People’s Choice Award

While TIFF festival programmers naturally like to boast, and some in the biz certainly consider the fest's People’s Choice Award as a good luck charm...

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Interview: Mona Fastvold – The Testament of Ann Lee

Her cinema deals with female interiority under constraint, isolation...

Father Mother Sister Brother | Review

Terms of Estrangement: Jarmusch’s Amusing Triptych on Familial Labors If...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Interview: Mounia Akl – Hold Me (If You Want) (Work in Progress)

Exploring the intimate intersections of family, memory, and social...

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