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Better Mus’ Come | Review

From the Wicked, Carry Us Away: Saulter’s Debut an Energetic Cold War Period Piece Jamaican writer/director Storm Saulter makes an impressive debut with period piece...

IONCINEPHILE of the Month: Tim Sutton (Pavilion)

IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. This March, we feature Tim Sutton, whose debut...

The Inevitable Defeat of Mister and Pete | Sundance 2013 Review

Everybody Knows: Tillman’s Latest a Melodramatic Exercise of Youth in the Projects Director George Tillman Jr. takes a step away from mainstream fodder for an...

Nicholas Bell’s Top Ten Films of 2012: (Picks 5 to 1) Leos Carax’s Holy Motors is #1

5. Amour – Dir. Michael Haneke (Austria) Winner of the Palme D’or at the 2012 Cannes Film Festival, the second for auteur Michael Haneke, much...

Red Hook Summer | Review

Summer Bummer: Lee Offers Strong Ending for the Devoted With his first fictional film since 2008’s Miracle at St. Anna, the ever divisive Spike Lee...

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The Voice of Hind Rajab | Review

In a Child’s Name: Ben Hania’s Grueling Portrait of...

Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Óliver Laxe has been on a whirlwind promotional tour...

Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

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