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Apart from the world premiere of Michael Cuesta's Tell-Tale and one more festival screening and chance to shine for Hirokazu Kore-eda's Still Walking, the selections are comprised of unknown projects, New York-based film productions that were completed in the last year, a bunch of films that receive a May theatrical release anyways and a batch of better than average films that were showcased at Sundance.

So how does Yojiro Takita's Departures (Okuribito) beat out heavy favorites Israel's Waltz With Bashir and France's The Class? Smart pick ups and adequate marketing plans just don't cut it when it comes to promoting titles for Oscar campaigns and Sony Pictures Classics seemed to have botched, undersold both titles the moment the final five titles were announced.

Valentine’s Day doesn’t come until next weekend but there was a lot of love at the box office this weekend.

Sundance deals are still being drafted, negotiated and signed a little over a week past the wrap up date, but in the case of Rupert Wyatt's The Escapist -- Sundance is a very distant memory.

It was a Slumdog Millionnaire kind of night and it was nice to see the totally unprepared Kate Winslet pick up matching statuettes -- but the behind the scenes players were also the big winners of the night. The first that comes to mind as an afterthought from the ones mentioned and underlined in some of those acceptance speeches is Peter Rice.