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2026 Cannes Film Festival Predictions: Midnight, Cannes Premiere, Special Screenings, Out of Comp
Before we dive headfirst into full-on Palme d’Or predictions tomorrow (with a part deux that will drop brunch time on Sunday) - we now...
A Man (Aru Otoko) | 2022 Venice Film Festival Review
The Good Thief: Ishikawa Explores the Tenuous Reality of Identity
As its elemental title suggests, Kei Ishikawa’s fourth film, A Man, asserts we can only...
Mother Schmuckers | Review
O Brother, Why Art Thou?: The Guit Bros. Get Down & Out in Bizarre Debut
Something is rotten in the state of Belgium, or so...
Criterion Collection: Teorema (1968) | Blu-ray Review
“Whatever the bourgeois do is wrong?” is a question posited in the flurried opening segment of Pier Paolo Pasolini’s arcane arthouse classic Teorema, a...
The Grudge (2020) | Review
Curse Strings: Pesce Reawakens J-horror Cornerstone with Studio Reboot
Director Nicolas Pesce becomes the first Borderline Film alum to enter studio filmmaking with his reboot...
