After making its debut at the Venice Film Festival and touring other prestigious autumn festivals like Toronto, San Sebastian, London BFI, and NYFF, it...
A touching, sober, political and poignant text on femicide, Mexican filmmaker Natalia León's debut Como si la tierra se las hubiera tragado plunges us...
Ripe Fruits: Kanawade Taps the Bittersweet Rind of Going Home Again
While there’s been an uptick in contemporary LGBTQ+ films from India over the past...
All DJs, Great and Small: Unkovski’s Debut Can’t Stop the Music
While its location might feel inherently unique, the happenings in Georgi M. Unkovski’s narrative...
One of the only two films selected for the Spotlight section (films that have premiered elsewhere on the festival circuit), Georgian filmmaker Dea Kulumbegashvili...
A Poison Tree: Khatami Deconstructs the Psychoses of Patriarchy
For his third feature, Iranian American director Alireza Khatami formulates a powerful psychodrama unspooling through the...
57 films selected from a whopping 11,153 submissions (4,909 U.S. submissions and 6,244 international) packed into eight curated Short Film Programs. Among the more...
On paper, this year's Premieres section offerings (fiction and non-fiction) should be all the hyope and talked about well into awards season. Some of...
Long-time indie actress Grace Glowicki, Sundance alumni in Meera Menon (2016's Equity) and Bryn Chainey are among the seven film projects selected for the...
Always our go-to section for truly unique singular voices working in micro cinema, Kahlil Joseph (a major music video filmmaker who needs no introduction)...
The U.S. Documentary Competition consistently showcases some of the most talked-about documentaries of the year. Year after year, it delivers at least a quartet...