Tag: Ann Oren

2026 Cannes Film Festival Predictions: Directors’ Fortnight

It’s nearly impossible to predict what the programming crew led by Artistic Director Julien Rejl will cook up for year four, but if the...

Piaffe | Review

Horse Girl: Oren Gets Hot to Trot in Strange, Alluring Debut What is it about horses, exactly, and their tacit parallels with subterranean conduits of...

Oscilloscope Isn’t Horsing Around with Ann Oren’s “Piaffe”

This week the Oscilloscope folks went shopping adding a Locarno comp title to their future slate. The company lands Ann Oren's Piaffe - which...

2022 Locarno Film Festival: Mazuy, Wittmann, Murat, Verheyde & Woo Ming Jin Vying for the Golden Leopard

It'll be a field of seventeen competition offerings from the likes of master filmmaker Aleksandr Sokurov (Fairytale) to a pair of first time (not...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...