Tag: Benedikt Erlingsson

Woman at War | Review

Female Misbehavior: Erlingsson Explores Ecofeminism in Entertaining Character Portrait After exploring the defining social elements between humans and their horses in his homegrown debut Of...

2018 TIFF: Corbet’s “Vox Lux” & Neil Jordan’s “Greta” Added + Discovery Section Unveiled

His double Venice film festival award winning The Childhood of a Leader was mysteriously a no-show for the 2015 edition, but TIFF programmers decided Vox...

2018 Cannes Critics’ Week: Paul Dano’s Wildlife (Opener) & Agnieszka Smoczynska’s Fugue Selected

As per usual, Artistic Director Charles Tesson unveiled the line-up to the Cannes Critics' Week via the savoury film description friendly video. A program...

Of Horses and Men | Review

A Horse is a Horse, Of Course: Erlingsson’s Debut Visually Striking, Episodic Iceland’s 2013 submission for Best Foreign Language film was the directorial debut of Benedikt...

European Film Awards: Vogt, Östlund, Pawlikowski, Zvyagintsev
, Glazer & Ceylan Among 50 Contenders

This year’s European Film Awards are officially out of the gates with a not so lean 50 film submissions to select from. The 27th...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...