Tag: Benedikt Erlingsson

Woman at War | Review

Female Misbehavior: Erlingsson Explores Ecofeminism in Entertaining Character Portrait After exploring the defining social elements between humans and their horses in his homegrown debut Of...

2018 TIFF: Corbet’s “Vox Lux” & Neil Jordan’s “Greta” Added + Discovery Section Unveiled

His double Venice film festival award winning The Childhood of a Leader was mysteriously a no-show for the 2015 edition, but TIFF programmers decided Vox...

2018 Cannes Critics’ Week: Paul Dano’s Wildlife (Opener) & Agnieszka Smoczynska’s Fugue Selected

As per usual, Artistic Director Charles Tesson unveiled the line-up to the Cannes Critics' Week via the savoury film description friendly video. A program...

Of Horses and Men | Review

A Horse is a Horse, Of Course: Erlingsson’s Debut Visually Striking, Episodic Iceland’s 2013 submission for Best Foreign Language film was the directorial debut of Benedikt...

European Film Awards: Vogt, Östlund, Pawlikowski, Zvyagintsev
, Glazer & Ceylan Among 50 Contenders

This year’s European Film Awards are officially out of the gates with a not so lean 50 film submissions to select from. The 27th...

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2026 TIFF: Siân Heder’s ‘Being Heumann’ Selected as TIFF Opener

We have a trio of Gala Presentation offerings to...

Black Money for White Nights | 2026 Karlovy Vary Film Festival Review

Steal Big, Steal Little: Grozeva & Valchanov Deliver Just...

The Guest | 2026 Karlovy Vary Film Festival Review

You’ll (Dis)Like My Mother: Mengel Mars a Celebration With his...