Tag: Carlo Cresto-Dina

Elisa | 2025 Venice Film Festival Review

Memories of Murder: Di Costanzo Treads Criminal Motives The impetus behind Elisa, the latest from Italian director Leonardo Di Costanzo is pregnant with intrigue, examining...

Caravan | 2025 Cannes Film Festival Review

All About My Martyr: Kirchnerová’s Debut Finds the Journey is the Destination For her directorial debut, “Caravan,” Czech director Zuzana Kirchnerová weaves autobiographical elements into...

La Chimera | Review

The Passionate Thief: Rohrwacher Finds Treasures Under the Tuscan Sun “The sun is following us,” whispers a willowy blonde in the enigmatic opening moments...

Gloria! | 2024 Berlin Intl. Film Festival Review

Music of the Heart: Vicario Pays Symphonic Homage to Erased History Composer Margherita Vicario makes her directorial debut with Gloria!, a period piece recuperating a...

Alice Rohrwacher’s La Chimera – 2023 Cannes Critics’ Panel: Day 10

A Cannes mainstay since her humble beginnings in the Directors’ Fortnight section with Corpo celeste, Alice Rohrwacher quickly ascended to comp-worthy status with the...

Ariaferma (The Inner Cage) | 2021 Venice Film Festival Review

Guards and Monsters: Costanzo Finds Humanity in Balanced Ratios Utilizing the novel opportunity of how power wanes in the crumbling of an institution’s viability, Italian...

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Interview: Alejo Moguillansky – Pin de Fartie

Embracing Samuel Beckett's Endgame, Fin de Partie creates a...

Interview: Yorgos Lanthimos – Bugonia

I participated in a virtual roundtable for the film...

2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse...

Interview: Yorgos Lanthimos & Jerskin Fendrix – Bugonia

There is a chaotic violence at the core of...