Tag: Cinema of Singapore

We Are All Strangers | 2026 Berlin Intl. Film Festival Review

Strategy of Tragedy: Chen Overdoses on Drama in Sprawling Family Portrait The most succinct aspect of Singaporean filmmaker Anthony Chen’s latest feature, We Are All...

Interview: Siyou Tan – Amoeba (2025)

The official mascot of Singapore represents a visual melting pot of Western and Eastern cultures. The Merlion represents the duality of this city-state. In...

Stranger Eyes | Review

The Interest of Distance: Yeo Discovers the Masochistic Pleasures of a Surveillance State “Strange feeling that someone is looking at me. I am clear, then...

Top 100 Most Anticipated Foreign Films of 2022: #67. Siew Hua Yeo’s The Once and Future

The Once and Future If it weren't for a small blurb last October, we'd still not be in the know about Siew Hua Yeo's fourth...

Interview: Anthony Chen & Yann Yann Yeo – Wet Season

Hot news from PYIFF, Singapore’s Wet Season takes home a whopping three awards, including the Cinephilia Critics’ Award, and two Fei Mu Awards for...

Video: Sandi Tan’s Shirkers | 2018 Sundance Film Festival

Sandi Tan's first (or second pending how categorize them) feature film is truly a masterclass in reappraising and reappropriating your own creative work arch....

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A Man of His Time (Notre salut) | 2026 Cannes Film Festival Review

Lost Illusions: Marre Administers Plodding Portrait of an Opportunist “There’s...

Titanic Ocean | 2026 Cannes Film Festival Review

Deep Sea, Baby: Kotzamani Goes Down Where It’s Wetter Greek...

2026 Cannes Critics’ Panel: Day 7 – Pedro Almodóvar’s ‘Bitter Christmas’

The only title to have had its world premiere...

Minotaur | 2026 Cannes Film Festival Review

The Cranes Aren’t Flying: Zvyagintsev Unleashes Primordial Tendencies “They always...