Set up in 2023, Marché du Film’s initiative connects private investors with alluring high-end film projects and today they've unveiled the eight lucky filmmakers...
Cannes’ Critics’ Week has unveiled the seven international filmmakers and three composers who are headed to Corsica for the third edition of its Next...
Mining the same harrowing history as his Chilean and Latin American contemporaries (more recently El Conde) — from Argentina to Uruguay, Paraguay and beyond,...
Once Upon a Time in Chile: Haberle Crafts Colonialist Past as a Vicious Western
A quote from Sir Thomas More’s Utopia opens Felipe Gálvez’s sinister...
Canada announced Zaynê Akyol's Rokej, Germany announced Ilker Çatak's The Teachers Lounge (a future SPC release) and Chile ended up selecting a film that...
A dozen film titles with items dating back to this year's Sundance (David Zonana's Heroic), Berlinale (Lila Aviles' Totem and Tatiana Huezo's The Echo)...
As per usual, Artistic Director Charles Tesson unveiled the line-up to the Cannes Critics' Week via the savoury film description friendly video. A program...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.