Tag: Florence Gastaud

The Most Precious Of Cargoes | 2024 Cannes Film Festival Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...

Final Cut (Coupez!) | Review

Primetime Cut: Hazanavicius Returns to Absurdity with Overdone Zombie Remake Michel Hazanavicius has certainly established his affection for the nonsensical, making a name for himself...

Top 100 Most Anticipated Foreign Films of 2021: #93. Sylvie Verheyde’s Madame Claude

Madame Claude A Parisian period piece about a 1960s brothel madame wasn't in the cards for 2020, but Sylvie Verheyde's sixth feature Madame Claude will...

Top 150 Most Anticipated Foreign Films of 2020: #71. Madame Claude – Sylvie Verheyde

Madame Claude Director Sylvie Verheyde returns to the world of the sex worker in her sixth feature, Madame Claude, a Parisian period piece about a...

Interview: Michel Hazanavicius – Godard Mon Amour (aka Redoubtable)

Declared sacrilege the moment the project was announced, Michel Hazanavicius focuses on a critical, artistic, existential, and perhaps creative calamity period in both the masses...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.