Tag: Ilan Amouyal

Interview: Dea Kulumbegashvili – April

After making its debut at the Venice Film Festival and touring other prestigious autumn festivals like Toronto, San Sebastian, London BFI, and NYFF, it...

April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in Body Horror I do not wish them to have power over men; but over themselves,”...

A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’

Perhaps the landmark sophomore feature of 2024, Georgian filmmaker Dea Kulumbegashvili has found a safe space in the U.S. via newish distributor Metrograph Pictures...

Dea Kulumbegashvili – Beginning [Video Interview]

One of the brighter notes in world cinema circa year one of the pandemic, Dea Kulumbegashvili's directorial debut (an official entry for Georgia for...

Beginning | Review

Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration For decades, the international presence of Georgian cinema was thanks (mostly) to the output...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...